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Bronze Figure of Aphrodite

Bronze Figure of Aphrodite


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Ancient Aphrodite statue found off the southern coast of Italy

An almost meter-high (80 cm) Aphrodite statuette was found at a depth of around 50 ft, off the coast of Cape San Vito, Taranto, in Southern Italy, on 26th of January. Interestingly enough, contrary to earlier reports, no shipwreck had been found (till then) in the vicinity, though Italian authorities are looking forth to explore any such possibility. As for the piece of art itself, the statuette is judged to be inspired by a famous statue of the Hellenistic period (that started after the death of Alexander).

The sculpture depicts goddess Aphrodite in the nude, and the figure probably leaned against a pillar which is now lost. Capturing the motion of removing one of her sandals from her left foot, the Aphrodite statuette also encompassed an object on her left hand – possibly an apple which is a known element relating to the Greek goddess. Scholars have additionally put forth their conjecture that the object might have represented a ball of make-up. And beyond just the scope of the statue, the authorities will also look for a vase underneath the water which was reported by the diver who originally discovered the art-piece.

Finally, while the general consensus is that this statuette is a replica of an original work, there are numerous debates concerning the artist or sculptor of that particular ‘masterpiece’. In that regard, some believe that many later statuettes were inspired by a bronze sculpture made during the late third century BC by Polymachos. Other have hypothesized that inspirations were derived from sculptural works of Lysippos and paintings by Apelles. Intriguingly enough, there is also a third school of thought that believes that the original works were conceived in the ancient workshops of Alexandria.


Bronze Figure of Aphrodite - History

This bronze statuette with silver eyes depicts the goddess Aphrodite. Aphrodite’s left hand reaches to grab the fallen fabric or to cover herself while she turns her head to look at the apple in her other hand. This piece was made from the 3 rd -1 st century placing it in the Hellenistic Period.

Nude female figures were rare in earlier Greek art periods while male nudes were very common. In the Hellenistic Period, erotic artistic subject matter became more popular which lead to the production of many sensuous statues of a nude Aphrodite.[1] The changing artistic subjects of “a nude Aphrodite… reflect[ed] the increased secularization of traditional religion.”[2] The goddess holds an apple in her right hand, which references the story of Helen and Paris. This myth is shown in other artworks from previous periods, but the actual visual representation of the apple in the myth appeared first in the Hellenistic period.[3] Aphrodite is the goddess of love and beauty she could be naked to show off her curvy body and emphasize the qualities of which she is the patron.

Some Hellenistic artists used the style and elements from the Classical periods and incorporated them into new Hellenistic characteristics.[4] This piece takes the popular contrapposto pose and incorporates a Hellenistic twist. Contrapposto is a weight-leg, free-leg stance. On the side that bears the weight, the hip is higher than its counterpart, and the shoulder on the weight side is lower than the other. Like other artworks, this piece balances parts of the body that are free with parts that are engaged. Her free-leg is paired with her engaged arm that holds the apple. The slight turn of her upper body is a Hellenistic element. Artists during the Hellenistic period were interested in more expressive poses and showing emotion.[5] Aphrodite’s head is tilted downward as she examines the apple the gesture is expressive, and it suggests that she is thinking about the prize that she just won. Her other hand covers herself or reaches for the fabric which is a modest gesture.

The fabric gathers around her thighs as if the garment were falling down. Maybe the fabric fell down because she was concentrating on the apple, and she became distracted. The cloth bunches in the front and then pools around her feet. Bronze has the ability to make the fabric appear more light and fluid than it would look like in marble.[6]

The material also helps the figure and the fabric appear realistic. With bronze, artists of the Hellenistic Period “were able to capture the dynamic realism, expression, and detail that characterized the new artistic goals of the period.”[7] Bronze can make the drapery look more lifelike. The shiny medium picks up the highlights in the fabric and Aphrodite’s hair making them more noticeable and gives them more texture. The dark metal also emphasizes the shadows on this artwork. Using bronze allowed the artists to create a more dramatic piece, which was an important feature in the Hellenistic period.

  1. Archino, Sarah. “ART 230: Early Classical Greek Lecture.” Lecture at Furman University, Greenville, SC, November, 11, 2015.
  2. The Metropolitan Museum of Art. “Bronze statuette of Aphrodite with silver eyes.” Accessed November 21, 2015. http://www.metmuseum.org/collection/the-collection-online/search/255409.
  3. Hemingway, Colette and Sean Hemingway. “Art of the Hellenistic Age and the Hellenistic Tradition”, Heilbrunn Timeline of Art History, http://www.metmuseum.org/toah/hd/haht/hd_haht.htm (accessed November 22, 2015).
  4. National Gallery of Art. “Power and Pathos: Bronze Sculpture of the Hellenistic World.” Accessed November 22, 2015. http://www.nga.gov/content/ngaweb/exhibitions/2015/power-and-pathos.html.
  5. Pedley, John Griffiths. Greek Art and Archaeology. Upper Saddle River: Pearson Education Inc., 2012.
  6. Stokstad, Marilyn and Michael W. Cothren. Volume I Art History. Upper Saddle River: Pearson Education Inc., 2014.

[1] John Griffiths Pedley, Greek Art and Archaeology, (Upper Saddle River, NJ: Pearson Education, Inc., 2012), 355.

[2] Colette Hemingway and Sean Hemingway, “Art of the Hellenistic Age and the Hellenistic Tradition”, Heilbrunn Timeline of Art History, http://www.metmuseum.org/toah/hd/haht/hd_haht.htm (accessed November 22, 2015).

[3] The Metropolitan Museum of Art. “Bronze statuette of Aphrodite with silver eyes.” Accessed November 21, 2015. http://www.metmuseum.org/collection/the-collection-online/search/255409.

[4] Pedley, Greek Art History and Archeology, 354.

[5] Marilyn Stokstad and Michael W. Cothren, Volume I Art History, (Upper Saddle River, NJ: Pearson Education, Inc., 2014), 147.

[6] Sarah Archino, “ART 230: Early Classical Greek Lecture” (lecture at Furman University, Greenville, South Carolina, November, 11, 2015).


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Aphrodite Statue

Statue of Aphrodite
Uffizi Gallery, inv. 1914 no. 251
Parian marble
Height: 1.44 m height ancient part m 0.62 m

The statue is one of the most celebrated depictions of the Greek goddess Aphrodite belonging to the Medici collections. Its renown is proved by the sculpture being documented in the Tribune where, from the end of the XVII century, it was admired next to the Medici Venus. The sculpture, acquired by the Medici in 1658 from the Palmieri family of Bologna, is remarkable not only for the superior quality of the antique part (head and torso), but also for the importance of the sculptor – Alessandro Algardi – that in the XVII century was commissioned for the additions. To Algardi, foremost representative of the Italian classicist sculpting of the period and with several papal commissions in Rome among his oeuvre, we owe both arms and the lower part with the rich drapery.

The statue, smaller than life-size, had been dulled for many years by thick layers of dust that completely covered the marble surface hiding its quality and the delicate workmanship.

The restoration restituted splendor to the precious Parian marble of the torso, and the deteriorated repair putty were systematically reviewed.

Extensive analyses were carried out, including the sampling of a few marble fragments of the torso and the base of the neck for petrographic testing, in order to confirm the antiquity and pertinence of the head.

The restoration has also been the occasion for an unprecedented systematic mapping of the ancient
parts and integrations, and for thorough photographic documentation.


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CLASSICAL LITERATURE QUOTES

GENERAL CULT

Callimachus, Epigrams 39 (from A.P. 13. 24) (trans. Mair) (Greek poet C3rd B.C.) :
"These gifts to Aphrodite did Simon, the light o' love, dedicate : a portrait of herself and the girdle that kissed her breasts, and her torch, yea, and the wands which she, poor woman, sued to carry."

Philostratus the Elder, Imagines 2. 1 (trans. Fairbanks) (Greek rhetorician C3rd A.D.) :
"[Ostensibly a description of an ancient Greek painting at Neapolis (Naples) depicting the worship of Aphrodite :] An Aphrodite, made of ivory, delicate maidens are hymning in delicate myrtle groves. The chorister who leads them is skilled in her art, and not yet past her youth for a certain beauty rests even on her first wrinkle, which, though it brings with it the gravity of age, yet tempers this with what remains of her prime. The type of the goddess if that of Aphrodite Aidos (goddess of modesty), unclothed and decorous, and the material is ivory, closely joined. However, the goddess is unwilling to seem painted, but she stands out as though one could take hold of her . . . The maidens are singing, are singing, and the chorister frowns at one who is off the key, clapping her hands and trying earnestly to bring her into tune . . . Eros, tilting up the centre of his bow, lightly strikes the string for them and the bow-string resounds with a full harmony and asserts that it possesses all the notes of a lyre and swift are the eyes of the god as they recall, I fancy, some particular measure. What, then, is the song they are singing? For indeed something of the subject has been expressed in the painting they are telling how Aphrodite was born from the sea through an emanation of Ouranos. Upon which one of the islands she came ashore they do not yet tell, though doubtless they will name Paphos but they are singing clearly enough of her birth, for by looking upward they indicate that she is from Heaven (Ouranos), and by slightly moving their upturned hands they show that she has come from the sea, and their smile is an intimation of the sea's calm."

Suidas s.v. Aphrodision (trans. Suda On Line) (Byzantine Greek lexicon C10th A.D.) :
"Aphrodision : Properly this is a shrine of Aphrodite."

Suidas s.v. Ephkhoi Pyroi :
"Ephkhoi Pyroi (boiled wheat-grains) : Aphrodisiacs. [Because] They used to offer wheat-grains to Aphrodite."

Suidas s.v. Enoiketis ton neson :
"Enoiketis ton neson (she who inhabits the islands) : Aphrodite. For she was especially honoured in them."

CULT IN ATTICA (SOUTHERN GREECE)

I. ATHENS (ATHENAI) Main City of Attica (Attika)

Pausanias, Description of Greece 1. 8. 4 (trans. Jones) (Greek travelogue C2nd A.D.) :
"[There is a] sanctuary of Ares [in Athens], where are placed two images of Aphrodite, one of Ares made by Alkamenes, and one of Athena."

Pausanias, Description of Greece 1. 14. 6 :
"Above the Kerameikos [in Athens] is a sanctuary of the Aphrodite Ourania (Heavenly) the first men to establish her cult were the Assyrians, after the Assyrians the Paphians of Kypros and the Phoinikians who live at Askalon in Palestine the Phoinikians taught her worship to the people of Kythera. Among the Athenians the cult was established by Aegeus, who thought that he was childless (he had, in fact, no children at the time ) and that his sisters had suffered their misfortune because of the wrath of Aphrodite Ourania (Heavenly). The statue still extant is of Parian marble and is the work of Pheidias. One of the Athenian parishes is that of the Athmoneis, who say that Porphyrion, an earlier king than Aktaios, founded their sanctuary of Ourania. But the traditions current among the Parishes often differ altogether from those of the city."

Pausanias, Description of Greece 1. 19. 2 :
"Concerning the district called The Gardens [in Athens], and the temple of Aphrodite, there is no story that is told by them, nor yet about the Aphrodite which stands near the temple. Now the shape of it is square, like that of the Hermai, and the inscription declares that Aphrodite Ourania is the oldest of those called Moirai (Fates). But the statue of Aphrodite Kepois (in the Gardens) is the work of Alkamenes, and one of the most note worthy things in Athens."

Pausanias, Description of Greece 1. 22. 3 :
"When Theseus had united into one state the many Athenian parishes, he established the cults of Aphrodite Pandemos (Common ) and of Peitho (Persuasion). The old statues no longer existed in my time, but those I saw were the work of no inferior artists."

Plutarch, Life of Theseus 13. 7 (trans. Perrin) (Greek historian C1st to C2nd A.D.) :
"The women [of Athens] were celebrating at that time the Adonia [festival of Aphrodite and Adonis], and in many places throughout the city little images of the god were laid out for burial, and funeral rites were held about them, with wailing cries of women, so that those who cared anything for such matters were distressed."

Suidas s.v. Pandemos Aphrodite (trans. Suda On Line) (Byzantine Greek lexicon C10th A.D.) :
"Pandemos Aphrodite : This is what they used to call the goddess established near the old agora [of Athens], because of the fact that long ago the people gathered there in assemblies, which they called agorai. Pandemos means common to all."

Suidas s.v. Zeuxis :
"Zeuxis : Aristotle [mentions him] as a painter in the time of Isokrates. In the temple of Aphrodite [at Athens] this man painted a most beautiful Eros, crowned with roses."

Suidas s.v. Psithyristes :
"Psithyristes (Whispering) Hermes: There was a certain [cult of] Hermes at Athens which had this name. Also honored at Athens were Whispering Aphrodite and Whispering Eros."

II. PIRAEUS (PEIRAIOS) Town of Attica

Pausanias, Description of Greece 1. 1. 3 (trans. Jones) (Greek travelogue C2nd A.D.) :
"By the sea [at Peiraios, Attika] Konon built a sanctuary of Aphrodite, after he had crushed the Lakedaimonian warships off Knidos in the Karian peninsula. For the Knidians hold Aphrodite in very great honor."

III. COLIAS (KOLIAS) Promontory of Attica

Callimachus, Hecale Fragment 382 (from Suidas s.v. Kolias) (trans. Trypanis) (Greek poet C3rd B.C.) :
"Kolias, name of a temple of Aphrodite . . . mentioned by Kallimakhos in the Hekale."

Strabo, Geography 9. 1. 21 (trans. Jones) (Greek geographer C1st B.C. to C1st A.D.) :
"And in the neighborhood of Anaphlystos [in Attika] is . . . the temple of Aphrodite Kolias."

Pausanias, Description of Greece 1. 1. 5 (trans. Jones) (Greek travelogue C2nd A.D.) :
"[On] the Kolias promontory [of Attika] . . . there is here an image of the Aphrodite Kolias, with the goddesses Genetyllides (Goddesses of Birth ), as they are called."

IV. OROPUS (OROPOS) Village in Attica

Pausanias, Description of Greece 1. 34. 3 :
"The altar [of Amphiaraus at Oropos, Attika] shows parts . . . The fourth portion of the altar is to Aphrodite and Panakea (All-Cure), and further to Iaso (Healing), Hygeia (Health) and Athena Healer."

V. CEPHISUS R. (KEPHISOS) River in Attica

Pausanias, Description of Greece 1. 37. 6 :
"After this [the river Kephisos, on the road to Eleusis, in Attika] is a temple of Aphrodite, before which is a note worthy wall of unwrought stone."

CULT IN MEGARIS (SOUTHERN GREECE)

I. MEGARA Main Town of Megaris

Pausanias, Description of Greece 1. 40. 6 :
"When you have ascended the citadel [of Megara] . . . you see a temple of Dionysos Nyktelios (Nocturnal), a sanctuary built to Aphrodite Epistrophia (She who turns men to love)."

Pausanias, Description of Greece 1. 43. 6 :
"After the sanctuary of Dionysos [in Megara] is a temple of Aphrodite, with an ivory image of Aphrodite surnamed Praxis (Action ). This is the oldest object in the temple. There is also Peitho (Persuasion) and another goddess, whom they name Paregoros (Consoler), works of Praxiteles. By Skopas are Eros (Love) and Himeros (Desire) and Pothos (Yearning), if indeed their functions are as different as their names."

CULT IN SALAMIS (SOUTHERN GREECE)

I. SALAMIS Main Town of Salamis

Ovid, Metamorphoses 14. 759 ff (trans. Melville) (Roman epic C1st B.C. to C1st A.D.) :
"Still at Salamis . . . there's a shrine of Venus Prospiciens [i.e. the Gazing Aphrodite]." [N.B. This is from the story of Anaxarete.]

CULT IN AEGINA (SOUTHERN GREECE)

I. AEGINA (AIGINA) Main Town of Aegina

Pausanias, Description of Greece 2. 29. 6 (trans. Jones) (Greek travelogue C2nd A.D.) :
"Near the harbor [of the island of Aigina] in which vessels mostly anchor is a temple of Aphrodite."

CULT IN CORINTHIA (SOUTHERN GREECE)

I. CORINTH (KORINTHOS) Main City of Corinthia (Korinthia)

Pindar, Eulogies Fragment 122 (trans. Sandys) (Greek lyric C5th B.C.) :
"Guest-loving girls [courtesans and prostitutes]! Servants of Peitho (Suasion) in wealthy Korinthos! Ye that burn the golden tears of fresh frankincense, full often soaring upward in your souls unto Aphrodite."

Strabo, Geography 8. 6. 20 (trans. Jones) (Greek geographer C1st B.C. to C1st A.D.) :
"The temple of Aphrodite [in Korinthos in the days of the tyrant Kypselos] was so rich that it owned more than a thousand temple slaves, courtesans, whom both men and women had dedicated to the goddess. And therefore it was also on account of these women that the city was crowded with people and grew rich for instance, the ship captains freely squandered their money, and hence the proverb, &lsquoNot for every man is the voyage to Korinthos.&rsquo . . .
Now the summit [of the Akrokorinthos] has a small temple of Aphrodite and below the summit is the spring Peirene . . . At any rate, Euripides says, &lsquoI am come, having left Akrokorinthos that is washed on all sides, the sacred hill-city of Aphrodite.&rsquo"

Strabo, Geography 12. 4. 36 :
"Korinthos, there, on account of the multitude of courtesans, who were sacred to Aphrodite, outsiders resorted in great numbers and kept holiday. And the merchants and soldiers who went there squandered all their money so that the following proverb arose in reference to them: 'Not for every man is the voyage to Korinthos."

Pausanias, Description of Greece 2. 2. 3 (trans. Jones) (Greek travelogue C2nd A.D.) :
"In Kenchriai [the port of Korinthos] are a temple and a stone statue of Aphrodite."

Pausanias, Description of Greece 2. 2. 4 :
"Before the city [of Korinthos] is a grove of cypresses called Kraneon. Here are a precinct of Bellerophontes, a temple of Aphrodite Melainis (the Black)."

Pausanias, Description of Greece 2. 2. 8 :
"[At Korinthos there is] a sanctuary for all the gods. Hard by is built a fountain . . . and a statue of Aphrodite made by Hermogenes of Kythera."

Pausanias, Description of Greece 2. 4. 6 :
"The Acrokorinthos is a mountain peak above the city, assigned to Helios by Briareos when he acted as adjudicator [i.e. between Helios and Poseidon in their contest for the city], and handed over, the Korinthians say, by Helios to Aphrodite."

Pausanias, Description of Greece 2. 5. 1 :
"On the summit of the Akrokorinthos [the acropolis of Korinthos] is a temple of Aphrodite. The images are Aphrodite Hoplismene (Armed), Helios, and Eros with a bow."

CULT IN SICYONIA (SOUTHERN GREECE)

I. SICYON (SIKYON) Main Town of Sicyonia (Sikyonia)

Pausanias, Description of Greece 2. 10. 4 :
"[In Sikyon] is an enclosure, sacred to Aphrodite. The first thing inside is a statue of Antiope. They say that her sons were Sikyonians, and because of them the Sikyonians will have it that Antiope herself is related to themselves. After this is the sanctuary of Aphrodite, into which enter only a female verger, who after her appointment may not have intercourse with a man, and a virgin, called the Loutrophoros (Bath-bearer), holding her sacred office for a year. All others are wont to behold the goddess from the entrance, and to pray from that place. The image, which is seated, was made by the Sikyonian Kanakhos . . . It is made of gold and ivory, having on its head a polos and carrying in one hand a poppy and in the other an apple. They offer the thighs of the victims, excepting pigs the other parts they burn for the goddess with juniper wood, but as the thighs are burning they add to the offering a leaf of the paideros. This is a plant in the open parts of the enclosure, and it grows nowhere else either in Sikyonia or in any other land. Its leaves are smaller than those of the esculent oak, but larger than those of the holm the shape is similar to that of the oak-leaf. One side is of a dark color, the other is white. You might best compare the color to that of white-poplar leaves."

II. TITANE Village in Sicyonia

Pausanias, Description of Greece 2. 11. 8 :
"In the portico [of Asklepios at Titane, Sikyonia] are dedicated images of Dionysos and Hekate, with Aphrodite, the Mother of the gods, and Tykhe (Fortune)."

CULT IN ARGOLIS (SOUTHERN GREECE)

I. ARGOS Main City of Argolis

Pausanias, Description of Greece 2. 19. 6 :
"As to the wooden images of Aphrodite and Hermes [found in the temple of Apollon Lykeios in the city of Argos], the one they say was made by Epeios, while the other is a votive offering of Hypermnestra. She was the only one of the daughters of Danaus who neglected his command, and was accordingly brought to justice by him, because be considered that his life was in danger so long as Lynkeus was at large, and that the refusal to share in the crime of her sisters increased the disgrace of the contriver of the deed. On her trial she was acquitted by the Argives, and to commemorate her escape she dedicated an image of Aphrodite, the Bringer of Victory."

Pausanias, Description of Greece 2. 20. 8 :
"Above the theater [in the city of Argos] is a sanctuary of Aphrodite, and before the image is a slab with a representation wrought on it in relief of Telesilla, the lyric poetess."

Pausanias, Description of Greece 2. 23. 8 :
"Near the temple of Dionysos [in Argos] is a temple of Aphrodite Ourania (Heavenly)."

Pausanias, Description of Greece 2. 25. 1 :
"On this road [from Argos to Mantineia] is a sanctuary built with two rooms, having an entrance on the west side and another on the east. At the latter is a wooden image of Aphrodite, and at the west entrance one of Ares. They say that the images are votive offerings of [the mythical] Polyneikes and of the Argives who joined him in the campaign to redress his wrongs."

Athenaeus, Deipnosophistae 3. 95f - 96a (trans. Gullick) (Greek rhetorician C2nd to 3rd A.D.) :
"As a matter of fact Kallimakhos [Greek poet C3rd B.C.] (or Zenodotos), in Historical Notes, testifies that the pig is sacrificed to Aphrodite, in these words : &lsquoThe people of Argos sacrifice swine to Aphrodite and the festival is called Hysteria (Feast of Swine).&rsquo"

II. EPIDAURUS (EPIDAUROS) Town in Argolis

Pausanias, Description of Greece 2. 27. 5 (trans. Jones) (Greek travelogue C2nd A.D.) :
"Within the grove [of Asklepios at Epidauros, Argolis] are a temple of Artemis, an image of Epione, a sanctuary of Aphrodite and Themis."

Pausanias, Description of Greece 2. 29. 1 :
"There is also a sanctuary of Aphrodite [at Epidauros, Argolis]."

III. TROEZEN (TROIZENOS) Town in Argolis

Pausanias, Description of Greece 2. 32. 3 :
"[At Troizenos, Argolis] is a race-course called that of Hippolytos, and above it a temple of Aphrodite Kataskopia (Spy or Peeping). For from here, whenever Hippolytos practised his exercises, Phaedra, who was in love with him, used to gaze upon him. Here there still grew the myrtle, with its leaves, as I have described above, pierced with holes. When Phaedra was in despair and could find no relief for her passion, she used to vent her spleen upon the leaves of this myrtle. There is also the grave of Phaedra, not far from the tomb of Hippolytus, which is a barrow near the myrtle."

Pausanias, Description of Greece 2. 32. 6 :
"You can see [in Troizenos, Argolis] a temple of Isis, and above it one of Aphrodite Akraia (of the Height)."

Pausanias, Description of Greece 2. 32. 7 :
"Near the rock [of Theseus at Troizenos, Argolis] is a sanctuary of Aphrodite Nymphia (Bridal), made by Theseus when he took Helene to wife."

IV. HERMIONE Town in Argolis

Pausanias, Description of Greece 2. 34. 11 :
"Hermione [in Argos], a city which I found afforded much to write about, and among the things which I thought I myself must certainly mention are a temple of Aphrodite, surnamed both Pontia (of the Deep Sea ) and Limenia (of the Harbor), and a white-marble image of huge size, and worth seeing for its artistic excellence There is also another temple of Aphrodite. Among the honors paid her by the Hermionians is this custom : maidens, and widows about to remarry, all sacrifice to her before wedding."

V. AMYMONE Springs in Argolis

Pausanias, Description of Greece 2. 37. 2 :
"By the sea [in the groves of Amymone, Argolis] is a stone image of Aphrodite."

VI. TEMENIUM (TEMENION) Village in Argolis

Pausanias, Description of Greece 2. 38. 1 :
"In Temenion [in Argolis] is built a sanctuary of Poseidon, as well as one of Aphrodite."

CULT IN LACEDAEMONIA (SOUTHERN GREECE)

I. SPARTA Main City of Lacedaemonia (Lakedaimonia)

Greek Lyric V Folk Songs, Frag 864 (from Lucian, On Dancing) (trans. Campbell) (B.C.) :
"The song sung by the Spartans while dancing is an invitation to Aphrodite and the Erotes to revel and dance along with them."

Pausanias, Description of Greece 3. 12. 11 (trans. Jones) (Greek travelogue C2nd A.D.) :
"By the Canopy [in Sparta, Lakedaimonia] is a circular building, and in it images of Zeus and Aphrodite surnamed Olympia (Heavenly)."

Pausanias, Description of Greece 3. 13. 9 :
"[In Sparta, Lakedaimonia is] an old wooden image they call that of Aphrodite Hera. A mother is wont to sacrifice to the goddess when a daughter is married."

Pausanias, Description of Greece 3. 15. 10 :
"A little farther on [in Sparta, Lakedaimonia] is a small hill, on which is an ancient temple with a wooden image of Aphrodite armed. This is the only temple I know that has an upper storey built upon it. It is a sanctuary of Morpho (the Shapely), a surname of Aphrodite, who sits wearing a veil and with fetters on her feet. The story is that the fetters were put on her by [the mythical king] Tyndareus, who symbolized by the bonds the faithfulness of wives to their husbands. The other account, that Tyndareus punished the goddess with fetters because he thought that from Aphrodite had come the shame of his daughters, I will not admit for a moment. For it were surely altogether silly to expect to punish the goddess by making a cedar figure and naming it Aphrodite."

Pausanias, Description of Greece 3. 17. 5 :
"Behind the Lady of the Bronze House [at Sparta, Lakedaimonia] is a temple of Aphrodite Areia (Warlike ). The wooden images are as old as any in Greece."

Pausanias, Description of Greece 3. 18. 1 :
"Near the statues of Pausanias [in Sparta, Lakedaimonia] is an image of Aphrodite Ambologera (Postponer of Old Age), which was set up in accordance with an oracle."

II. AMYLCAE (AMYKLAI) Town in Lacedaemonia

Pausanias, Description of Greece 3. 18. 8 :
"Aristandros of Paros and Polykleitos of Argos have statues here [at Amyklai, Lakedaimonia] the former a woman with a lyre, supposed to be Sparta, the latter an Aphrodite called Amuklaios (of Amyklai)."

III. CRANAE (KRANAE) Island in Lacedaemonia

Pausanias, Description of Greece 3. 22. 1 :
"The island Kranai [off the coast of Lakedaimonia]: Homer says that when Alexandros [Paris of Troy] had carried off Helene he had intercourse with her there for the first time. On the mainland opposite the island is a sanctuary of Aphrodite Migonitis (Union), and the whole place is called Migonion. This sanctuary, they say, was made by Alexandros. But when Menelaus had taken Ilion [Troy] and had returned safe home eight years after the sack of Troy, he set up near the sanctuary of Migonitis an image of Thetis and the goddesses Praxidikai (Exacters of Justice)."

IV. CYTHERA (KYTHERA) Island in Lacedaemonia

Herodotus, Histories 1. 105 (trans. Godley) (Greek historian C5th B.C.) :
"The city of Askalon in Syria . . . [has a] temple of Aphrodite Ourania [the Phoenician goddess Ashtarte]. This temple, I discover from making inquiry, is the oldest of all the temples of the goddess, for the temple in Kypros [to Aphrodite] was founded from it, as the Kyprians themselves say and the temple on Kythera was founded by Phoinikians from this same land of Syria."

Pausanias, Description of Greece 3. 23. 1 (trans. Jones) (Greek travelogue C2nd A.D.) :
"In Kythera [off the coast of Lakedaimonia] is . . . the sanctuary of Aphrodite Ourania (the Heavenly ) is most holy, and it is the most ancient of all the sanctuaries of Aphrodite among the Greeks. The goddess herself is represented by an armed image of wood."

Pausanias, Description of Greece 1. 14. 6 :
"Aphrodite Ourania (Heavenly) the first men to establish her cult were the Assyrians, after the Assyrians the Paphians of Kypros and the Phoinikians who live at Askalon in Palestine the Phoinikians taught her worship to the people of Kythera."

V. TAENARUM (TAINARON) Village in Lacedaemonia

Pausanias, Description of Greece 3. 25. 9 :
"[At Tainaron, Lakedaimonia is] a temple of Aphrodite on the shore, with a standing statue of stone."

CULT IN MESSENIA (SOUTHERN GREECE)

I. MESSENE Main Town of Messenia

Pausanias, Description of Greece 4. 14. 2 :
"The Lakedaemonians first razed Ithome [in Messenia] to the ground, then attacked and captured the remaining towns. Of the spoils [from Messene] they dedicated bronze tripods to the god of Amyklai [in Lakedaimonia]. A statue of Aphrodite stands under the first tripod, of Artemis under the second, of Kore or Demeter under the third."

Pausanias, Description of Greece 4. 31. 6 :
"[In Messene, Messenia] there are sanctuaries of the gods Poseidon and Aphrodite."


Bronze Aphrodite Statue

As the Greek goddess of love and desire, Aphrodite is often associated with the pursuit of love and beauty. In the Bronze Aphrodite Statue, she is pictured as a lovely young woman who stands tall and serene while the wind plays with her hair. Here, she wears a decorative belt about her waist and a cloth wrap that winds around her arms and body, both of which are colored a deep metallic red. As the wind trails through her long hair, several silver birds flutter around her, while she holds a single bird in her hands, creating an image that is soft, carefree, and quite beautiful to behold. This elegant statue is made entirely of cold cast bronze, giving it a lustrous, gilded look. As desire is not always a bad thing, Aphrodite was not always considered vain or capricious, and in the Bronze Aphrodite Statue, we see a beautiful and serene side of the goddess of desire, one that makes for a fantastic decoration or gift idea.

Key Features:

  • Depicts Aphrodite, the Greek goddess of desire
  • Hand painting reveals delicate details
  • A fantastic home decor item or gift idea
  • Essential addition to mythology collections

Materials:

Measurements:


Bronze Aphrodite Statue

As the Greek goddess of love and desire, Aphrodite is often associated with the pursuit of love and beauty. In the Bronze Aphrodite Statue, she is pictured as a lovely young woman who stands tall and serene while the wind plays with her hair. Here, she wears a decorative belt about her waist and a cloth wrap that winds around her arms and body, both of which are colored a deep metallic red. As the wind trails through her long hair, several silver birds flutter around her, while she holds a single bird in her hands, creating an image that is soft, carefree, and quite beautiful to behold. This elegant statue is made entirely of cold cast bronze, giving it a lustrous, gilded look. As desire is not always a bad thing, Aphrodite was not always considered vain or capricious, and in the Bronze Aphrodite Statue, we see a beautiful and serene side of the goddess of desire, one that makes for a fantastic decoration or gift idea.

Key Features:

  • Depicts Aphrodite, the Greek goddess of desire
  • Hand painting reveals delicate details
  • A fantastic home decor item or gift idea
  • Essential addition to mythology collections

Materials:

Measurements:


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Watch the video: Altar to Aphrodite (May 2022).